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<channel>
	<title>qingyu wu</title>
	<link>https://qingyuwu.com</link>
	<description>qingyu wu</description>
	<pubDate>Sat, 30 Aug 2025 18:09:57 +0000</pubDate>
	<generator>https://qingyuwu.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Sally Can't Dance</title>
				
		<link>https://qingyuwu.com/Sally-Can-t-Dance</link>

		<pubDate>Sat, 30 Aug 2025 18:09:57 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Sally-Can-t-Dance</guid>

		<description>Sally Can’t Dance



Type: Poster DesignClient: Sally Can’t Dance RecordsYear: 2025

	A series poster design for Sally Can’t Dance records. Beijing run kicks off Sept. 4th—23rd, 2025 at My Dramamine, right behind the Beiping Ice Factory.
为音乐厂牌Sally Can’t Dance (撒丽不跳舞) 设计的系列演出海报。

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	<item>
		<title>Improvisation</title>
				
		<link>https://qingyuwu.com/Improvisation</link>

		<pubDate>Sun, 20 Jul 2025 08:50:33 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Improvisation</guid>

		<description>improvisation



Type: Album Design, PackagingClient: shanavlabYear: 2025

	A cassette collaboratively  designed by Ginko and me.

Live recording of an improvisation by gogoj a.k.a Sheng Jie and Jena Jang, at Raw Material Space, Jan 14th 2025, Beijing.

The graphic symbols evoke the emotional landscape of the performance — glittering strokes woven into darkness, tenderly circuiting the ear.

gogoj a.k.a. Sheng Jie [CN]: Electric cello
Jena Jang [KR]: Hard electronic devices / synthesizer / air blower and DIY.

Released by shanavlab&#38;nbsp;
Photography by Ruifeng Ding
Ginko与我为shanavlab厂牌设计的音乐专辑「improvisation」。

录音采自一次现场即兴演出，表演者为盛洁与Jena Jang，于2025年1月14日在北京原料空间进行。


盛洁：电子大提琴
Jena Jang：硬件电子设备 / 合成器 / 吹风器与自制装置

发行：shanavlab
摄影：丁锐锋

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&#60;img width="4135" height="5168" width_o="4135" height_o="5168" data-src="https://freight.cargo.site/t/original/i/cf4a881530ee7eb35f048c573554c5f6f5aded5bd24b9a48879cf1438c8a27a9/5.jpg" data-mid="236036200" border="0"  src="https://freight.cargo.site/w/1000/i/cf4a881530ee7eb35f048c573554c5f6f5aded5bd24b9a48879cf1438c8a27a9/5.jpg" /&#62;</description>
		
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	<item>
		<title>入口 Entrance Space</title>
				
		<link>https://qingyuwu.com/Entrance-Space</link>

		<pubDate>Tue, 06 May 2025 15:44:10 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Entrance-Space</guid>

		<description>入口 Entrance Space



Type: Visual Identity, SignageClient: Entance SpaceYear: 2023

	Visual identity system for Entrance Space.

Entrance Space is a contemporary art venue focused on exploration and guidance. It brings together emerging artists from China and abroad, emphasizing experimental practices while fostering the integration of art into everyday life. By incorporating beverage crafting and diverse events as part of its artistic approach, the space serves as a sanctuary for art enthusiasts.

为「入口空间」设计的视觉识别系统。

入口空间是一个聚焦探索与引导的当代艺术场域，汇聚来自海内外的新锐艺术家，强调实验性实践，同时推动艺术向日常生活的延展。通过将饮品调制与多样活动纳入艺术方式，空间为艺术爱好者提供了一个栖息之所。

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	<item>
		<title>shanavlab gigonline</title>
				
		<link>https://qingyuwu.com/shanavlab-gigonline</link>

		<pubDate>Tue, 29 Apr 2025 07:24:48 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/shanavlab-gigonline</guid>

		<description>










shanavlab gigonline



Type: Album Design, PackagingClient: shanavlabYear: 2025

	A cassette series designed for shanavlab.

Founded by artist Sheng Jie (gogoj) in 2010, shanavlab regularly invites artists worldwide to share and exchange ideas. This release features 3 performances from the online series and 1 from the freetalk series, all recorded in 2011.

The performances were streamed late at night via livestream.com, with artists playing in empty studios, using direct input while audiences tuned in freely online. At that time, broadband speeds (2–4 Mbps download, 0.5–1 Mbps upload) made live streaming an adventure. The cassette audio is extracted from the original streams — imperfect in fidelity, but vivid in memory.
为shanavlab设计的磁带系列。

shanavlab由艺术家盛洁成立于2010年，定期邀请来自世界各地的艺术家分享他们的创作过程与作品。











此出版选了线上演出板块中的三场演出，和一个自由交谈板块中的一场演出。线上演出这个板块是在深夜，以直播的方式特定的一种演出形式。室内无观众，所有表演者带着耳机，在工作室安静的将他们制造的声音，以线路输入的方式实时传送至网络，各地的观众可以自由的在线收看和讨论。在2011年，主流宽带以2-4Mbps(ADSL)为主的时代，上传速度只有0.5-1Mbps，仅应用于网页、标清视频的浏览，实现直播这件事如同时代发展中的风火轮。这里所呈现的音频直接取自当时的原始直播——音质虽不完美，却让人记忆犹新。


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	<item>
		<title>ROLL</title>
				
		<link>https://qingyuwu.com/ROLL</link>

		<pubDate>Tue, 22 Apr 2025 16:07:53 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/ROLL</guid>

		<description>ROLLType: Creative Direction, Visual IdentityClient: ROLLYear: 2025

	Creative direction, branding, and visual identity system designed for the creative studio ROLL.

The logo captures the kinetic energy embedded in the word “ROLL” itself. Through staggered alignment and shifting letter scales, it conveys a strong sense of rhythm, motion, and visual tension—echoing the continuous flow of thought and movement.

The supporting graphics and imagery are inspired by everyday objects in constant motion: cinnamon rolls, curling irons, coins, loading icons, washing machine drums, wheels, and fruits. Together with the studio’s gentle phrasse “Keep Rolling,” the identity reflects a world that never stops—just like the ever-evolving stream of creative thinking.

为创意工作室ROLL设计的品牌标识、创意指导以及视觉识别系统。

以“ROLL”一词本身蕴含的动态感为核心，通过字母间的错位与尺度变化，营造出强烈的节奏与视觉张力，象征持续运转与思维流动的状态。

延展图形与图像灵感来自日常生活中一切处于滚动状态的物件：肉桂卷、卷发棒、硬币、浏览器加载图标、洗衣机滚筒、车轮与果实等，构成一个富有联想力的视觉系统。品牌标语 “Keep Rolling” 指向一个不停歇的世界——呼应创意思维的不断生成与演进。


	&#60;img width="8000" height="34814" width_o="8000" height_o="34814" data-src="https://freight.cargo.site/t/original/i/a8c0805566ab3dea381cd176fd3a6e38847fa15bb17102ceea30c5da9c6db819/ROLL-identity-Q.jpg" data-mid="230582904" border="0"  src="https://freight.cargo.site/w/1000/i/a8c0805566ab3dea381cd176fd3a6e38847fa15bb17102ceea30c5da9c6db819/ROLL-identity-Q.jpg" /&#62;&#60;img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/04bd691587e2325cd344a7fdf506bf54a4fd1f671a145825eb567f38342a3297/roll-elec.jpg" data-mid="235831643" border="0"  src="https://freight.cargo.site/w/1000/i/04bd691587e2325cd344a7fdf506bf54a4fd1f671a145825eb567f38342a3297/roll-elec.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Leap into the Void</title>
				
		<link>https://qingyuwu.com/Leap-into-the-Void</link>

		<pubDate>Sat, 01 Feb 2025 05:17:28 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Leap-into-the-Void</guid>

		<description>Leap into the Void






Type: Album Design, Poster DesignClient: Big Romantic Records &#38;amp; Sally Can't Dance RecordsYear: 2025

	Album and poster design for Yan Yulong – Leap into the Void released in Tokyo, Japan on Feb 26, 2025.
为音乐人閻玉龍专辑「縱身一躍」做的专辑与海报设计，于2025年2月26日在日本东京发型。

&#60;img width="6300" height="5040" width_o="6300" height_o="5040" data-src="https://freight.cargo.site/t/original/i/b0a312f287dceb5b5a8a820c1b08dd1c18a04585f093b470a857d25179aa3c7c/leap-into-the-void-cover.jpg" data-mid="235832803" border="0"  src="https://freight.cargo.site/w/1000/i/b0a312f287dceb5b5a8a820c1b08dd1c18a04585f093b470a857d25179aa3c7c/leap-into-the-void-cover.jpg" /&#62;&#60;img width="6300" height="5040" width_o="6300" height_o="5040" data-src="https://freight.cargo.site/t/original/i/b55de612872a016979f92d7f0aab5e4e379e9f8251a1d7bc992fb4ca48c25695/Leap-into-the-Void-cassette-Side-A.jpg" data-mid="235833741" border="0"  src="https://freight.cargo.site/w/1000/i/b55de612872a016979f92d7f0aab5e4e379e9f8251a1d7bc992fb4ca48c25695/Leap-into-the-Void-cassette-Side-A.jpg" /&#62;&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/47a476a95cee7ed4a06b45433cb16238fcff15ef5eb8569a5803ae28133e90e4/Leap-Instagram-f_-1.jpg" data-mid="230533067" border="0"  src="https://freight.cargo.site/w/1000/i/47a476a95cee7ed4a06b45433cb16238fcff15ef5eb8569a5803ae28133e90e4/Leap-Instagram-f_-1.jpg" /&#62;&#60;img width="4800" height="3350" width_o="4800" height_o="3350" data-src="https://freight.cargo.site/t/original/i/60643f2514e44cc313913eab60d624bd5db40a802779be278dc4ce5049a28354/Leap-into-the-Void-Casstte-Q.jpg" data-mid="227973215" border="0"  src="https://freight.cargo.site/w/1000/i/60643f2514e44cc313913eab60d624bd5db40a802779be278dc4ce5049a28354/Leap-into-the-Void-Casstte-Q.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Kangding Ray</title>
				
		<link>https://qingyuwu.com/Kangding-Ray</link>

		<pubDate>Wed, 20 Nov 2024 08:55:02 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Kangding-Ray</guid>

		<description>Kangding Ray &#38;nbsp;






Type: Poster DesignClient: SystemYear: 2024

	Poster Design for Berlin-based French sound wizard Kangding Ray’s performance at System.

为音乐人Kangding Ray在System的演出做的海报设计。

	&#60;img width="3000" height="4107" width_o="3000" height_o="4107" data-src="https://freight.cargo.site/t/original/i/2f56cd63690ab8be6a43664f90536dca52f555b055e3bcccc2066f53601870d5/1.-Kangding-Ray-at-System-Blk-Version.jpg" data-mid="222105360" border="0"  src="https://freight.cargo.site/w/1000/i/2f56cd63690ab8be6a43664f90536dca52f555b055e3bcccc2066f53601870d5/1.-Kangding-Ray-at-System-Blk-Version.jpg" /&#62;

	&#60;img width="3000" height="4107" width_o="3000" height_o="4107" data-src="https://freight.cargo.site/t/original/i/a98e643dc66b1b70c19d708c1a221c236f3964b29523852a262dbcc921ad185d/1.-Kangding-Ray-at-System.JPG" data-mid="222105339" border="0"  src="https://freight.cargo.site/w/1000/i/a98e643dc66b1b70c19d708c1a221c236f3964b29523852a262dbcc921ad185d/1.-Kangding-Ray-at-System.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Sounds Like Print</title>
				
		<link>https://qingyuwu.com/Sounds-Like-Print</link>

		<pubDate>Wed, 20 Nov 2024 08:33:59 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Sounds-Like-Print</guid>

		<description>Sounds Like Print&#38;nbsp; &#38;nbsp;






Type: Exhibition DesignClient: Tai Kwun Contemporary&#38;nbsp;大館當代美術館Year: 2023

	



















Visual identity design for the exhibition Sounds Like Print at Tai Kwun Contemporary in Hong Kong.  

Exploring the interplay between "sound" and "print," Sounds Like Print is a special "time and tempo"-inspired project launched at BOOKED:. This exhibition examines the dynamic relationship between "sound" and "print" through objects that are produced in multiples and have the potential to circulate — such as cassettes, CDs, vinyl records, books, fanzines, and posters.  

The presentation as a whole captures the "do-it-yourself" spirit of independent art and sound publishers, showcasing their unique ways of connecting with others through forms of self-expression. Curated by Ingrid Pui Yee Chu and Dr. Edward Sanderson, it is co-organised with Daniel Szehin Ho.  


为香港大馆当代美术馆「聲書相印」做的展览设计。「聲書相印」以“声音”和“印刷”之间的互动为主题，是一个以“时间与节奏”为灵感的特别项目，于艺术书展「BOOKED:」期间展出。本次展览通过展示一些具有复制性并可流通的物件——如磁带、CD、黑胶唱片、书籍、同人志和海报——来探索“声音”和“印刷”之间的动态关系。  

整体呈现展现了独立艺术与声音出版者“自制”（Do-it-yourself）精神的视觉切片，同时也体现了他们通过自我表达形式与他人建立联系的独特方式。展览由朱珮瑿（Ingrid Pui Yee Chu）和爱德华·桑德森博士（Dr. Edward Sanderson）策展，并与何思衍（Daniel Szehin Ho）共同组织。 
	&#60;img width="3000" height="1999" width_o="3000" height_o="1999" data-src="https://freight.cargo.site/t/original/i/d01cb542d1eda630b8625d756bbb967e0ef880e6843d189910f58bf65c141138/3.-Sounds-Like-Print-Stickers.jpg" data-mid="222105149" border="0"  src="https://freight.cargo.site/w/1000/i/d01cb542d1eda630b8625d756bbb967e0ef880e6843d189910f58bf65c141138/3.-Sounds-Like-Print-Stickers.jpg" /&#62;&#60;img width="3000" height="1688" width_o="3000" height_o="1688" data-src="https://freight.cargo.site/t/original/i/4d358d32fced6230c32f3fe4dcc07a1a450b8d235acb19aa6c965f14ca3e4903/2.-Sounds-Like-Print.gif" data-mid="222105151" border="0"  src="https://freight.cargo.site/w/1000/i/4d358d32fced6230c32f3fe4dcc07a1a450b8d235acb19aa6c965f14ca3e4903/2.-Sounds-Like-Print.gif" /&#62;&#60;img width="3000" height="2290" width_o="3000" height_o="2290" data-src="https://freight.cargo.site/t/original/i/d7455899266a2177137fe026e55bf14af6c1fcecde940dc77be4fee11a92c252/4.-Sounds-Like-Print-Install-View.jpg" data-mid="222105156" border="0"  src="https://freight.cargo.site/w/1000/i/d7455899266a2177137fe026e55bf14af6c1fcecde940dc77be4fee11a92c252/4.-Sounds-Like-Print-Install-View.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>nowhere left but here, here i am again</title>
				
		<link>https://qingyuwu.com/nowhere-left-but-here-here-i-am-again</link>

		<pubDate>Tue, 22 Apr 2025 09:22:26 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/nowhere-left-but-here-here-i-am-again</guid>

		<description>nowhere left but here, here i am again &#38;nbsp;






只有此處，重回此地Type: Exhibition DesignClient: Tai Kwun Contemporary 大館當代美術館Year: 2025

	Visual identity design for the exhibition nowhere left but here, here i am again at Tai Kwun Contemporary in Hong Kong.

Letters, maps, postcards, stamps, and other printed materials are often associated with conceptual art practices – in the Artists’ Book Library’s latest project,&#38;nbsp;nowhere left but here, here i am again, these mediums not only serve as a means of corresponding over great distances, but as sites through which to document and share the artists’ most intimate moments.

The project assembles a group of international contemporary artists, as well as drawing from the library’s own collection, in responding to Tai Kwun Contemporary’s summer exhibition, On Kawara: Rules of Freedom, Freedom of Rules. In an age where the “self” is endlessly asserted and negated through its presence online, these artists continue choosing “print technology” as a creative tool to communicate, to capture or “map” connectivity. Through these concrete forms acting as surrogates for themselves and their respective realities, their works highlight how art in print endures as a mode of self-expression.

为香港大馆当代美术馆「只有此处，重回此地」做的展览设计。

书信、地图、明信片、邮票等印刷品是常见于概念艺术的媒介——艺术家书籍图书馆的最新项目「只有此处，重回此地」以此作为连系遥远两地的通信手段，更视之为记录和分享艺术家私密时刻的场域。

项目云集多位国际当代艺术家的作品，亦包含图书馆馆藏，呼应大馆当代美术馆的夏季展览「河原温：自由之律，律之自由」。在网上世界不断确立又否定「自我」的时代，艺术家仍然选择以「印刷技术」作为创作交流的工具。他们以这种具体形式作为自身和现实的投射，试图捕捉或「绘制」人与人之间的连结，突显出印刷艺术如何持续作为自我表达的方式。

	&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6f80177b591f60f3c43731cc6135b7cc5b935b89cf19e19f66cb57922ee7cc1d/nowhere-left-but-here--here-i-am-again-1000x1000px-V5_FINAL.gif" data-mid="230490851" border="0"  src="https://freight.cargo.site/w/1000/i/6f80177b591f60f3c43731cc6135b7cc5b935b89cf19e19f66cb57922ee7cc1d/nowhere-left-but-here--here-i-am-again-1000x1000px-V5_FINAL.gif" /&#62;

	

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&#60;img width="1020" height="1020" width_o="1020" height_o="1020" data-src="https://freight.cargo.site/t/original/i/9938da7f302a642dba4ef134d0099fcd3a32dc96d8f13ab7afd98c290c33f3b6/nowhere-left-but-here--here-i-am-again-exhibition-1.jpg" data-mid="230492795" border="0"  src="https://freight.cargo.site/w/1000/i/9938da7f302a642dba4ef134d0099fcd3a32dc96d8f13ab7afd98c290c33f3b6/nowhere-left-but-here--here-i-am-again-exhibition-1.jpg" /&#62;&#60;img width="1304" height="992" width_o="1304" height_o="992" data-src="https://freight.cargo.site/t/original/i/8bb89d8fea6e110fade8fcb9704b993fc39c5b54cd4289fb898b51a4dd57b00a/nowhere-left-but-here--here-i-am-again-exhibition-4.jpg" data-mid="230492938" border="0"  src="https://freight.cargo.site/w/1000/i/8bb89d8fea6e110fade8fcb9704b993fc39c5b54cd4289fb898b51a4dd57b00a/nowhere-left-but-here--here-i-am-again-exhibition-4.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Good Things Come in Pairs</title>
				
		<link>https://qingyuwu.com/Good-Things-Come-in-Pairs</link>

		<pubDate>Sun, 01 Dec 2024 05:54:17 +0000</pubDate>

		<dc:creator>qingyu wu</dc:creator>

		<guid isPermaLink="true">https://qingyuwu.com/Good-Things-Come-in-Pairs</guid>

		<description>Good Things Come in Pairs 
好事成兔[twò]






Type: Brand Identity, Creative Direction, Editorial DesignClient: JOOCYEEYear: 2023

	



















Designed the new brand identity and visual system for JOOCYEE.
 The 2023 New Year gift box (Year of the Rabbit) includes the 2022 brand yearbook, which showcases all products and concepts of the year in the form of a calendar. Additionally, the gift box contains a 2023 notebook, a pair of ceramic cups and saucers, and red envelopes.

JOOCYEE interprets beauty from an eastern perspective by exploring how different concepts are manifested in makeup, and customizes products with a professional spirit to better meet the needs of Asian women.



为JOOCYEE酵色设计了全新的品牌形象及视觉识别系统。
2023年（兔年）新年礼盒内含2022年品牌年鉴，以日历形式展示了全年所有产品和概念。此外，礼盒还包括一本2023年笔记本、一对陶瓷杯碟和红包。

JOOCYEE通过探索不同概念在化妆品中的呈现，从东方视角解读美，并以专业精神定制产品，更好地满足亚洲女性的需求。


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